Source:
“Home is So Sad” by Philip Larkin
Home is so sad. It stays as it was left,
Shaped to the comfort of the last to go
As if to win them back. Instead, bereft
Of anyone to please, it withers so,
Having no heart to put aside the theft
And turn again to what it started as,
A joyous shot at how things ought to be,
Long fallen wide. You can see how it was:
Look at the pictures and the cutlery.
The music in the piano stool. That vase.
“Have you packed more? Almost done?”
“Yup, but I’m gonna pack some more tomorrow. Tonight I’m going to hang out with Tiff and them.”
She came downstairs to the living room — perfumed, dressed, makeup on.
“Going out again? When are you done having this kind of fun?” Her mother said nonchalantly, not looking up from her iPad. All in all, it’s taken a long time for her to get here — hearing that her daughter is venturing out into the dangerous night full of mischievousness and not try to stop her by saying how much of a risk it was to go out on her own at night.
It was eleven in the morning and she had been awake for about an hour. Remote and warm in the pastel yellow duvet blanket, she surveyed her room from corner to corner: pale pink walls, a painting hung on the wall. That jewelry stand. The rays of light through the blinds are reflecting on the adjacent wall. Stuffed toys in the corner that are dusty. That evening, she was leaving home, going abroad, moving out.
Every time she left home, she felt almost guilty for leaving her mom behind, alone. At the same time, she could never fight the resistance — the bright lights outside, the carefree attitude, the possibilities. Most of the time her mom would barely utter out a “bye” as she stood at the door with keys in hand; even if she did, it was one with an attitude. Behind her the living room stretches out; the room always suddenly looked so large and empty, despite the visible weight of the grand piano behind the sofa her mother often makes herself comfortable on.
The carpeted stairs, the wooden floor. The window beside the piano, on it place photo frames of her family — mom, brother, and her — from long ago, still and silently. The uneven space between the two opposite couches and the coffee table in the middle. Her brother’s study room’s white energy-saving light contrasting awkwardly from the warm, wooden colours in the living room.
Sitting in between her two big suitcases, she looked childish. Her face expressing complex sadness. Her mother observed her, “you don’t have to go if you don’t want to.” That was the first time her mother had tried to make her stay with words. “I know.” But she wanted to leave.
Home is so sad, but why is leaving home sadder? Knowing that everything will stay the same is not enough anymore; the other half of her is pulling her away from this house. This house, so homey, picturesque; so meant for a family.
